Audio Engineering
For more than a decade before becoming a software engineer, I worked as a professional audio engineer across live theater and broadcast television—troubleshooting complex systems live, working independently, and staying level-headed under real, un-repeatable pressure.
Broadcast & Live Television
Freelance Audio EngineerFox News / Fox BusinessNovember 2018 - January 2020
- Engineered audio mix for live television broadcast in a completely autonomous environment
Interim Production ManagerKelson Productions/The Forum at Columbia UniversityApril 2019 - August 2019
- Managed and coordinated crew and presentation logistics for Columbia University events
- Provided IT support for meetings and conferences, collaborating with advance teams, Columbia leadership, and crew members to produce high-quality professional events
- Improved operation and maintenance of the installed system by writing 60 pages of technical documentation
Audio Engineer / Freelance Engineer-in-ChargeThomson Reuters / i24 NewsJanuary 2017 - January 2020
- Built and maintained audio systems and engineered shows for two live broadcast control rooms
- Set up and debugged communication and video systems for corporate events and broadcasts
Audio EngineerAmazon Style Code Live / NEPApril 2016 - January 2017
- Engineered audio mix for a Monday through Friday live show
- Worked with Shure/Sennheiser wireless microphones, Lectrosonics IFBs, and RTS com systems
Stage Manager / A2Ali Velshi On Target, Third Rail — Al Jazeera America / NEPJanuary 2015 - April 2016
- Managed changeovers of show set-ups, maintaining consistency in placement of cameras and stage elements
- Directed talent communication, mic'ing of talent, and maintenance of microphone and interruptible foldback (IFB) systems
A2 Microphone Technician / A1 - Audio Engineer Substitute MixerAl Jazeera America / NEPNovember 2014 - January 2015
- Maintained Sennheiser wireless microphone systems and talent mic'ing for Consider This and Ali Velshi On Target
- Filled in as substitute audio engineer as needed, mixing live news shows with on-set and remote guests on an SSL C100 console
- Managed IFB and RTS com systems
Theater
Credited as Ann-Marie Dalenberg
- Sound design: Leon Rothenberg
- Sound design: Clive Goodwin
The LionManhattan Theatre Club — Stage II — A1 - Audio Engineer2014
- Sound design: Leon Rothenberg
Ain't Misbehavin'Bucks County Playhouse — New Hope, Pennsylvania — A1 - Audio Engineer2014
- Sound design: Jon Weston
Under the Radar FestivalThe Public Theater — FOH Audio2013
- Sound design: Jon Weston
Here Lies LoveThe Public Theater — A2 Sub2013
- Sound design: M.L. Dogg & Cody Spencer
- Sound design: Kai Harada
The Total BentThe Public Theater / Public LAB — A1 - Audio Engineer2012
- Sound design: Acme Sound Partners
February HouseThe Public Theater — A1 - Audio Engineer2012
- Sound design: Leon Rothenberg
The OhmiesPlaywrights Horizons — Peter Jay Sharp Theater / Upstairs — A1 - Audio Engineer Sub2012
Into the WoodsThe Public Theater — Shakespeare in the Park, Delacorte Theater — A2 Sub2012
- Sound design: Acme Sound Partners
The Last Smoker in AmericaWestside Theatre Upstairs — A1 - Audio Engineer2012
- Sound design: Bart Fasbender
- Sound design: Leon Rothenberg
Under the Radar FestivalThe Public Theater — FOH Audio2011
The Shaggs: Philosophy of the WorldPlaywrights Horizons — A1 - Audio Engineer2011
- Sound design: Darron L West
Sweet and SadThe Public Theater — A1 - Audio Engineer2011
- Sound design: Scott Lehrer
Sweeney ToddNYU Steinhardt — FOH Engineer2011
King LearThe Public Theater — A1 - Audio Engineer2011
- Sound design: Darron L West
The Book of GraceThe Public Theater — Shop Prep / Load-In2010
First New York call with The Public Theater
- Sound design: Dan Moses Schreier
Romeo and JulietThe Acting Company / Guthrie Theater — National Tour (NY Sitdown Only) — Sound Operator2010
- Sound design: Scott W. Edwards
The Merchant of VeniceThe Public Theater — Shakespeare in the Park, Delacorte Theater — A22010
- Sound design: Acme Sound Partners
The Winter's TaleThe Public Theater — Shakespeare in the Park, Delacorte Theater — A22010
- Sound design: Acme Sound Partners
The CapemanThe Public Theater — Delacorte Theater — A22010
- Sound design: Acme Sound Partners
GatzThe Public Theater — Public Theater Audio Representative2010
Les MisérablesPhoenix Theatre — Phoenix, Arizona — A22009
- Sound design: Dave Temby
Utah Shakespearean Festival — Summer SeasonRandall L. Jones Theatre, Cedar City, Utah — Lead Audio2009
Utah Shakespearean Festival — Fall SeasonRandall L. Jones Theatre, Cedar City, Utah — Lead Audio2009
The Miracle WorkerArizona Repertory Theatre — Marroney Theatre — Sound Designer2008
Titus AndronicusArizona Repertory Theatre — Tornabene Theatre — Assistant Sound Designer2008
Utah Shakespearean Festival — Summer SeasonRandall L. Jones Theatre, Cedar City, Utah — Lead Audio2008
CompanyArizona Repertory Theatre — Marroney Theatre — Sound Designer2008
HairArizona Theatre Company — Tucson / Phoenix, Arizona — Sound Intern2008
- Sound design: Abe Jacob
The Who's TommyArizona Repertory Theatre — University of Arizona — A1 - Audio Engineer2007
BetrayalArizona Repertory Theatre — University of Arizona — Sound Designer2007
Kiss Me KatePCPA Theaterfest — California — A1 - Audio Engineer Intern2007
Company, in ConcertPCPA Theaterfest — California — A1 - Audio Engineer Intern2007
CandideArizona Repertory Theatre — Tornabene Theatre — A1 - Audio Engineer2007
TartuffeArizona Repertory Theatre — University of Arizona — Assistant Sound Designer2006
Side ShowArizona Repertory Theatre — University of Arizona — A2 / Costume Crew2005
Technical Skills
Calrec SigmaDiGiCo SD10 / SD9Yamaha O2R / 01V / DM1000 / DM2000 / M7CL / PM5D / CL5Cadac J-TypeStuder Vista 5Midas M32SSL C100Pro ToolsLogicQLab programmingWireless microphone coordinationDante certifiedRTS com system troubleshooting and programmingXLR and Cat5 terminationSoldering